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Mechanical Licenses |
What you will need to know.
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1. Editions of works that are in the public domain (no longer under copright laws) DO NOT require a mechanical license. Classic examples would be pieces written by composers from earlier times, such as Bach, Mozart, Beethoven or Mendelssohn. Arrangements or transcriptions of music from the public domain DO NOT require mechanical licensing.
2. Recent new works that are copyrighted, and are not arrangements of pieces from the public domain, DO require a mechanical license. (The duration of copyrights has varied from country to country and with the changing laws over time. For a complete explanation of the durations and legal issues of copyrights please read "Copyrights Basics" at www.copyright.gov) Acquiring a mechanical license from Clear Note Publications. To acquire a mechanical license for works published by Clear Note Publications take the following steps. 1. send us an e-mail at: ClearNote[insert @]Columbus.rr.com and include the title of the work and composer's name in the subject line. Provide us with a very brief explanation of your project and your contact information. 2. We will reply via e-mail with a simple form for you to fill out. This form provides us with the basic information we need to calculate the fee for your mechanical license. 3. Once you have returned the form to us, we will supply you with the calculated fee for your license and information about how to complete the process. Licenses can only be issued and recordings released when the fees are paid in full and all required information is on file. As of January 1, 2006 the statutory mechanical rate is as follows:
$0.0910 for works 5 minutes or less Some examples:
5:01 to 6:00 = $.105 (6 x $.0175 = $.105) Example fee for one 5 minute 3 second work on 500 CDs:
ROYALTY FEE (BASED ON STATUTORY RATE): $52.50 On behalf of everyone we represent we thank you for taking the responsibility of seeing that artists get their due and we recommend the consideration of these issues and their expense before you start your next recording project.
Karl Wolff and Janet Best
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