The clarinet compositions in this collection represent a synthesis of styles based on twelve original compositions by Fernando Sor, Mateo Carcassi and Napolean Coste. Even though these three composers were firmly rooted in the 19th century, the etudes and pieces that are the foundation of these duets, lend themselves nicely to the synthesis of more modern styles such as Jazz, Ragtime and Pop.
Their basic nature almost makes it seem as though they were conceived as accompaniments in their original form, just waiting for the addition of a melodic counterpart and the creative inspiration of other composers.
Gerry Long
Guitar in the 19th Century
Throughout musical history, studies (etudes) have been written for all instruments, purely as a musical form and to ensure that the instruments expressive potential is reached. The guitar is no exception to this practice and like all musical instruments it requires particular kinds of compositional approaches to satisfy this goal. In part, it is unique in that it possesses an astonishing range of sonic subtleties. It can produce the warm tones of the low frequencies, a variety of soaring colors from the higher end of the tonal spectrum, lilting melodies with tiny voice like vibratos and even percussive effects. Added to all this is its polyphonic capability. The utilization of this wealth of highly expressive and interpretive possibilities requires a well developed technical facility.
Many of the great masters who possessed this facility on this intimate and versatile instrument, came from the 19th century. Often called the golden age of the classical guitar, the 19th century produced works by Fernando Sor, Dionisio Aguado, Mauro Giuliani, Matteo Carcassi, Napoleon Coste, Luigi Legnani, and Fernando Carulli. All were virtuoso players and accomplished composers with a very clear idea of the technical prowess needed to play the styles of their day. Each of them produced an abundance of etudes and short works designed specifically to isolate technical hurdles into concentrated studies. These pieces, that are so pleasing to listen to, create a compelling link to the specific musical mannerisms of guitar's golden age, and serve as a strong foundation for the study of classical guitar even today.
Jeffrey Cogan
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