Virtuosity scale and arpeggio exercises that develop virtuoso technique
Virtuosity scale and arpeggio exercises that develop virtuoso technique

Virtuosity scale and arpeggio exercises that develop virtuoso technique

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Virtuosity scale and arpeggio exercises that develop virtuoso technique

Music expresses not only profound emotion, but also a broad range of more abstract concepts from the simple to the very complex. To be able to express all that music has to offer, you need to make the subtle concepts of its theory a part of your physical technique. I hope that this book will satisfy some of that need on several different levels. The material here should help students further develop their ability to read, play better technically and improvise in any and all keys. For teachers it is a reference book that will aid in answering questions regarding fundamental scale theory and reading in the higher positions. Professional players of all styles of music may find new resources here that will expand their technique and inventiveness.

This book is not intended to serve as a method book or to teach any particular style of playing, nor is it especially suitable for beginners. Rather it is a resource of fundamentals that are essential to all guitarists who have played long enough to know the basics and who are interested in expanding their abilities. Realizing how important fundamental scale theory is, I have made every effort to render as clear as possible the concepts this book encompasses. You can learn from this book on your own or as teachers and students, but I've also tried to create in it a resource that musicians can explore together, as ensemble or band members or as friends who wish to play and write together. What is contained here are the scales that actual musical passages are based on. The scales you need to know to become knowledgeable enough of the fingerboard to read advanced music, arrange transcriptions, compose and improvise. Guitarists are somewhat at a disadvantage when exploring traditional reference books on harmony, counterpoint and orchestration. Nearly all the great books on harmony, counterpoint, orchestration and music history teach the theoretical structure of music and the fine points of interpretation by way of a piano keyboard. Books that explain the complex theories of music by demonstrating their examples on the fingerboard are rare and much needed. With this in mind all the material in this book is shown exclusively on the fingerboard of the guitar. It covers the structure of the major, minor and modal scales that have been in use in western music for the past several hundred years. This is a comprehensive system that will provide you with a complete map of the fingerboard and a direct physical understanding of the theory of scales and their relationship to one another.

The material in this volume is organized into four principal sections so that it can be used as a series of progressive exercises that demonstrate the intricate relationship between harmonic progressions, major scales, and arpeggio passages that are the underlying framework of musical composition.

It is clearly understood by advanced players that to play well you need a solid understanding of the fingerboard. To accomplish this you need to explore the raw materials that music uses for melodic lines, scales. This kind of exploration is essential for a full understanding of theory and technique. By practicing and analyzing these scale and arpeggios you develop the engrained experience that is needed for advanced playing by having mastered the rudimentary forms of advanced melodic lines. Through exploring improvisation with these scales you are better able to embellish and improvise when it's appropriate. To do this well you need to make the subtle relationships between chord progressions and scales a part of your physical technique.

Gaining an understanding of these scales systems will answer most if not all of the questions guitarists have about scales and their relationships to reading, writing and technique. In the following pages I have defined and diagrammed the principal scales this book is concerned with and explained how they can be used to develop a greater ability to play the actual musical passages we encounter.

Karl Wolff

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